Turn an idea into a controllable image.

Please create each uploaded group photo into a standalone high-end minimalist design poster, using an overall 3:4 vertical long image composition. The image is strictly divided into four horizontal zones from top to bottom (each occupying 25% of the height), with seamless transitions between zones—no dividing lines, no gaps—collectively forming one complete vertical long image.
Overall Sequence (From Top to Bottom)
1. Original Photographic Scene
2. Minimalist Acrylic Illustration Style
3. Minimalist Line Drawing Sketch Style
4. Minimalist Watercolor Wash Style
The four zones maintain compositional logic coherence—character positioning, gaze direction, and scene flow should echo each other, making the entire long image feel like a visual translation progressing layer by layer from reality to abstraction in the same moment, rather than four arbitrarily spliced pictures. Since each zone adopts a horizontal wide aspect ratio, the main subjects in each layer are suggested to be horizontally centered, with ample blank space retained on the left and right to avoid edge adhesion or crowding.
First Layer: Original Photographic Scene
Retain the original group photo's main structure, multi-person real interactions, authentic textures, natural lighting and shadows, and the existing color atmosphere; apply only subtle high-end photographic color grading to present a magazine photography and art exhibition poster quality. Without altering character relationships or compositional logic, naturally extend the ground or environmental background to adapt the image to the horizontal wide zone, enhancing spatial depth and narrative sense.
Second Layer: Minimalist Acrylic Illustration Style
Use thick acrylic paint as the primary medium overall, but the expression must be restrained and simplified, eliminating all non-essential elements and retaining only the core subject structure and visual relationships.
- Background uses off-white, light gray-white, or natural paper texture base color, with subtle, delicate paper fiber grain and slight paint bleed effect.
- Main subjects appropriately scaled down, horizontally centered, with large areas of pure blank space retained on both left and right sides.
- Elements such as characters, trees, buildings, water surfaces, ground, rocks, roads, etc., all adopt highly generalized acrylic color blocks and minimalist outlines, retaining only the most basic shapes and directional relationships.
- Brushstrokes simplified to a minimal number of directional flat washes or single color block covers, avoiding complex structures, texture layering, or decorative strokes.
- Color blocks clearly separated, strictly prohibiting overlaps, layering, or complex interweaving; shapes independent with distinct boundaries.
Third Layer: Minimalist Line Drawing Sketch Style
Use minimalist continuous lines as the primary expressive language, akin to the restrained beauty of high-fashion sketches or architectural line drafts.
- Line thickness uniform or with only subtle variations to emphasize key contours; no hatching, shading, or texture buildup.
- Background is pure off-white or light gray blank space, with no added texture decorations.
- Relationships in character positioning, interaction directions, and pose features conveyed through streamlined contour lines, achieving "understandable relationships, but invisible details."
- Allow minimal single-color flat fills or light color accents (no more than 1-2 instances), but overall dominated by lines to maintain the image's airy and breathable feel.
- Avoid excessive line accumulation, cross-hatching, realistic rendering, or decorative patterns.
Fourth Layer: Minimalist Watercolor Wash Style
Use diluted watercolor's transparent washes as the primary medium, with color edges naturally diffusing but overall maintaining restraint and order, without producing a muddy feel.
- Background retains paper texture and faint water marks, with colors in large areas of soft blocks naturally transitioning, avoiding harsh boundaries.
- Characters and scenes overall simplified into soft color masses and light outlines, reducing stroke buildup and detail depiction.
- Color layers distinguished naturally through water dilution variations, rather than line or contour divisions; the image should present a light, airy, poetic atmosphere.
- Avoid large-area color mixing into grays, color buildup murkiness, chaotic strokes, or over-rendering.
Unified Color Logic
The colors in the three style zones are all extracted and reorganized from the top-layer original image, using moderately vibrant yet artistically restrained palettes, such as brighter olive green, clear grass green, pure blue-gray, bright ochre, soft lemon yellow, clean mineral white, etc. Each zone is suggested to be limited to 2–4 main colors, maintaining overall unity and restraint to avoid clutter and color buildup.
Prohibited Items
Avoid photorealistic oil painting feel, complex illustrations, detail piling, high-saturation chaotic color schemes, cartoon styles, 3D rendering feel, commercial poster feel, e-commerce feel, cheap filter effects, complex backgrounds, element overlaps, crowded compositions, decorative symbols, and any text, logos, watermarks, or titles.